You already own a surround system.
A soundbar under the TV. A Bluetooth speaker on the desk. The laptop. The phone in the drawer.
They have never played together.
One microphone. One clock.
Each one keeps its own time. Press play on all of them and the beat smears across the room.
Every speaker you own, playing as one. The soundbar, the Bluetooth speaker, the laptop, the phone in the drawer. One microphone, one clock: wired and Wi-Fi to about a millisecond, Bluetooth compensated and graded for video.
What it does
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Stereo from any app becomes surround.
Split live into centre, sides, rear ambience, height and bass, and spread across every speaker you own. A soundbar takes the centre.
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Atmos stops collapsing to stereo.
A discrete mix arrives as channels on the layout your Mac offers, up to 9.1.6, and each goes to the speaker wearing its role. Nothing invented, nothing flattened.
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Lossless. Nothing squeezed on the way.
Your Mac’s audio reaches every wired, USB and Pi-node speaker as plain PCM, 24-bit at 48 kHz: no codec, no streaming compression. Bluetooth speakers take what Bluetooth allows.
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Running in a minute. Not an evening.
Your speakers are arranged the moment they appear; change a role with a tap. Ask once and a microphone times the room.
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No receiver. No new speakers. They don’t even have to match.
Every speaker gets a role.
Arranged the moment it appears. Drop a role on a speaker to change it.
Two devices free. For as long as you like.
An Apple silicon Mac on macOS 15 or later, with a microphone (built in on laptops and iMacs; a USB one on a Mac mini or Studio). Wired, USB and Bluetooth speakers; a Raspberry Pi for HDMI; an Android phone as a speaker. No iPhone or HomePod yet.